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The View from Seattle
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Arts
Dire Straits: The Bad News from many Theatres
Kurt Beattie
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July 19, 2023
Arts
Seattle Symphony Debacle: Inside the Sudden Departure of Thomas Dausgaard
Douglas McLennan
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January 14, 2022
Most Recent
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Rekindling My Bumpy Love Affair with KING FM
David Brewster
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March 15, 2023
KING FM seems to have found its footing, after decades of floundering. It has emerged from soothing background music to active listening.
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Seattle Opera’s “Jubilee” Stitches African-American Spirituals Into Opera
James C. Whitson
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Seattle Symphony’s Successful Blend of Strange Bedfellows
Theodore Deacon
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October 3, 2024
Lynnwood Station: The Art of Sound Transit
Gary Faigin
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September 16, 2024
Moon Unit Speaks: My Dad Frank Zappa
Fred Moody
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September 10, 2024
Revitalized Bumbershoot a Credit to New Promoters, Seattle Center
Eric Olson
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September 4, 2024
In a Funk: SAM makes a Case for Seattle
Gary Faigin
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August 4, 2024
The Bellingham Festival Showcases its New Conductor
Peter Herford
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July 31, 2024
Seattle Arts in a New Key: Amid Hard Times, Some Bold...
David Brewster
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At Lucerne: Igor Levit and the Art of Improvisation
Peter Herford
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June 8, 2024
Acoustic Lessons from the Renovated Town Hall (And a New String...
David Brewster
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Christina Scheppelmann Takes Her Leave from Seattle Opera with a “Barber”
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Harmonia: A Beloved Seattle Orchestra and Chorus and its Ambitious DNA
James C. Whitson
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The Remarkable “Official Bands” of Italy
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The Seattle Symphony in Nature
Theodore Deacon
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Opening Up at Open Mic
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The Seattle Symphony’s Latest Guest Conductor
Peter Herford
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Better Use? Pacific Place Ought to be Repurposed
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Memorable Mahler: Seattle Symphony
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The Impresario
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Chronological
In a Funk: SAM makes a Case for Seattle
Gary Faigin
-
August 4, 2024
The Bellingham Festival Showcases its New Conductor
Peter Herford
-
July 31, 2024
Seattle Arts in a New Key: Amid Hard Times, Some Bold Reinventions
David Brewster
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June 13, 2024
At Lucerne: Igor Levit and the Art of Improvisation
Peter Herford
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June 8, 2024
Acoustic Lessons from the Renovated Town Hall (And a New String Quartet to Show it Off)
David Brewster
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May 18, 2024
Christina Scheppelmann Takes Her Leave from Seattle Opera with a “Barber”
James C. Whitson
-
May 16, 2024
Harmonia: A Beloved Seattle Orchestra and Chorus and its Ambitious DNA
James C. Whitson
-
May 8, 2024
The Remarkable “Official Bands” of Italy
Mark Hinshaw
-
May 5, 2024
The Seattle Symphony in Nature
Theodore Deacon
-
May 2, 2024
Opening Up at Open Mic
Cheyna Kiakona
-
May 2, 2024
The Seattle Symphony’s Latest Guest Conductor
Peter Herford
-
April 27, 2024
Better Use? Pacific Place Ought to be Repurposed
Mindy Lehrman Cameron
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April 23, 2024
Memorable Mahler: Seattle Symphony
Theodore Deacon
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April 18, 2024
The Impresario
Peter Herford
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April 15, 2024
Go East: The Future of Regional Arts
David Brewster
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April 13, 2024
Review: Osmo Vänskä, Pianist Simon Trpčeski and the Seattle Symphony
Theodore Deacon
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March 27, 2024
Northern Lights: Seattle Symphony’s Nielsen and Sibelius
James C. Whitson
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March 17, 2024
Edmonds: Chemistry of a Community Orchestra
Peter Herford
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March 14, 2024
Pianist Helene Grimaud at Meany: Three B’s and a Magisterial C
James C. Whitson
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March 12, 2024
Seattle’s Space Agency
Mao Hashio
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March 9, 2024
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