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The View from Seattle
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Arts
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Arts
Dire Straits: The Bad News from many Theatres
Kurt Beattie
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July 19, 2023
Arts
Seattle Symphony Debacle: Inside the Sudden Departure of Thomas Dausgaard
Douglas McLennan
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January 14, 2022
Most Recent
Arts
Rekindling My Bumpy Love Affair with KING FM
David Brewster
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March 15, 2023
KING FM seems to have found its footing, after decades of floundering. It has emerged from soothing background music to active listening.
Most Recent
Searching for a New Plot for Ashland’s Shakespeare Festival
Lucie K. Scheuer
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November 23, 2024
Seattle Symphony: Brilliant Bartók and Haunting Boulanger
Theodore Deacon
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November 13, 2024
Saving Scarecrow: Film as a Cultural Resource
Sam R. Sperry
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November 11, 2024
What Responsibility Do Orchestras have for Democracy?
Jesse Rosen
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October 31, 2024
Seattle Opera’s “Jubilee” Stitches African-American Spirituals Into Opera
James C. Whitson
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October 16, 2024
Seattle Symphony’s Successful Blend of Strange Bedfellows
Theodore Deacon
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October 3, 2024
Lynnwood Station: The Art of Sound Transit
Gary Faigin
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September 16, 2024
Moon Unit Speaks: My Dad Frank Zappa
Fred Moody
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September 10, 2024
Revitalized Bumbershoot a Credit to New Promoters, Seattle Center
Eric Olson
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September 4, 2024
In a Funk: SAM makes a Case for Seattle
Gary Faigin
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August 4, 2024
The Bellingham Festival Showcases its New Conductor
Peter Herford
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July 31, 2024
Seattle Arts in a New Key: Amid Hard Times, Some Bold...
David Brewster
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June 13, 2024
At Lucerne: Igor Levit and the Art of Improvisation
Peter Herford
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June 8, 2024
Acoustic Lessons from the Renovated Town Hall (And a New String...
David Brewster
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May 18, 2024
Christina Scheppelmann Takes Her Leave from Seattle Opera with a “Barber”
James C. Whitson
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May 16, 2024
Harmonia: A Beloved Seattle Orchestra and Chorus and its Ambitious DNA
James C. Whitson
-
May 8, 2024
The Remarkable “Official Bands” of Italy
Mark Hinshaw
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May 5, 2024
The Seattle Symphony in Nature
Theodore Deacon
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May 2, 2024
Opening Up at Open Mic
Cheyna Kiakona
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May 2, 2024
The Seattle Symphony’s Latest Guest Conductor
Peter Herford
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April 27, 2024
Chronological
Seattle Symphony’s Successful Blend of Strange Bedfellows
Theodore Deacon
-
October 3, 2024
Lynnwood Station: The Art of Sound Transit
Gary Faigin
-
September 16, 2024
Moon Unit Speaks: My Dad Frank Zappa
Fred Moody
-
September 10, 2024
Revitalized Bumbershoot a Credit to New Promoters, Seattle Center
Eric Olson
-
September 4, 2024
In a Funk: SAM makes a Case for Seattle
Gary Faigin
-
August 4, 2024
The Bellingham Festival Showcases its New Conductor
Peter Herford
-
July 31, 2024
Seattle Arts in a New Key: Amid Hard Times, Some Bold Reinventions
David Brewster
-
June 13, 2024
At Lucerne: Igor Levit and the Art of Improvisation
Peter Herford
-
June 8, 2024
Acoustic Lessons from the Renovated Town Hall (And a New String Quartet to Show it Off)
David Brewster
-
May 18, 2024
Christina Scheppelmann Takes Her Leave from Seattle Opera with a “Barber”
James C. Whitson
-
May 16, 2024
Harmonia: A Beloved Seattle Orchestra and Chorus and its Ambitious DNA
James C. Whitson
-
May 8, 2024
The Remarkable “Official Bands” of Italy
Mark Hinshaw
-
May 5, 2024
The Seattle Symphony in Nature
Theodore Deacon
-
May 2, 2024
Opening Up at Open Mic
Cheyna Kiakona
-
May 2, 2024
The Seattle Symphony’s Latest Guest Conductor
Peter Herford
-
April 27, 2024
Better Use? Pacific Place Ought to be Repurposed
Mindy Lehrman Cameron
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April 23, 2024
Memorable Mahler: Seattle Symphony
Theodore Deacon
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April 18, 2024
The Impresario
Peter Herford
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April 15, 2024
Go East: The Future of Regional Arts
David Brewster
-
April 13, 2024
Review: Osmo Vänskä, Pianist Simon Trpčeski and the Seattle Symphony
Theodore Deacon
-
March 27, 2024
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